This actually seems like a fairly tame source of income for her, to be honest.įollowing her critically-acclaimed debut 2000 film Girlfight, writer/director Karyn Kusama was hailed as one of Hollywood's newest directors to watch. The Herodotus File, a graphic novel published n 1995 that fleshes out more of the world and characters of Aeon Flux, confirms that Aeon is, in fact, a foot fetish model. The entire setup implies that Aeon has a career dealing in foot fetish voyeurism. A large man enters, and goes from filing her nails to licking her toes. While Aeon's feet are presented in a sexual manner at several points throughout the show, there is one scene in particular that suggests she uses them for more than personal pleasure. Aeon is seen lying down in a room with a small peep hole for a viewer to watch her. But she still needs funds for all that weaponry, purple vinyl, and mega-hold hair product. So if she doesn't have an employer, how does she make money? To be fair, one episode of the series showed us that her entire house was literally held in place by a single piece of tape, so it isn't as if she's living the extravagant life of a wealthy secret agent. While Aeon takes all manner of jobs that seem like they'd earn a freelance hitwoman/thief/saboteur a very comfortable living, she seems to largely act on her own, and for her own reasons. However, very little is known about this particular Aeon game, how far along it was, or why it was canceled.įinally, in 2005, a game based on the Aeon Flux movie was finished and released by Terminal Reality- although they, coincidentally, are also now out of business. Cryo decided to forge ahead with the game anyway, reworking it as a non- Aeon Flux game and releasing it in 1997 as Pax Corpus (pictured above), though obviously similarities to the original source material remained- most notably, the outfit of the "new" main heroine.Ī second Aeon Flux game was underway sometime around 2000 from developer The Collective- also now defunct- which had already handled other licensed games based on Indiana Jones, Star Trek, and Buffy, among several others. However, publisher Viacom New Media ended up merging with Virgin Interactive during the game's development, the side effect of which was the cancelation of all unreleased Viacom games, including the Aeon game. The project was so far along that magazines and websites had already begun running previews and screenshots for the game. In 1996, it was announced that now-defunct developer Cryo Interactive was creating a video game based on Aeon Flux. However, MTV ended up acquiring the spot and aired it several times on their station, so it wasn't completely lost to time. The commercial was absent from the 2005 DVD collection, currently the most complete Aeon Flux collection available, but it is easy to find and watch online. Unfortunately, the commercial ended up being pulled before it was aired during Super Bowl XXX, where it could've been seen by nearly 100 million people. After a brief live-action exchange between the pair, Crawford's face morphs into that of her animated counterpart, where she goes on an action-packed, very Aeon Flux-like adventure with some pretty obvious visual callbacks to the series, culminating in her scoring a coveted can of Diet Pepsi. The spot starred legendary actor Malcolm McDowell playing a Trevor Goodchild-esque character, and Cindy Crawford- one of the hottest supermodels in the world at that time- playing an Aeon-esque character. Thus, Aeon and company's dramatic, often extremely exaggerated style of movement was born.Īeon Flux was so popular in the mid-'90s that Pepsi commissioned Chung to create a Diet Pepsi commercial for them in the style of the show- a Super Bowl commercial, no less. The animator found the baby and toddler characters to be too limiting in what they could do physically, and he wanted to create something with a much freer form of character animation. He not only directed the show's pilot, but he co-designed the main characters and helped establish the overall look of the show with Arlene Klasky and Gabor Csupo.ĭespite the fact that Rugrats and Aeon Flux seem to have nothing in common besides Chung and their parent company- both MTV and Nickelodeon are owned by Viacom- Chung's time on Rugrats ended up having a huge impact on the creation of Aeon Flux. But in terms of truly original creations, Chung's biggest and most well-known pre- Aeon work was on the Nickelodeon series Rugrats. Peter Chung had a pretty impressive resume prior to creating Aeon Flux, including storyboard artist on both the 1984 Transformers series and 1986 animated film, and art direction, character design, and opening title design on the first Teenage Mutant Ninja Turtles series.
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